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The literary structure of the book of Daniel is marked by three prominent features.
The most fundamental is a genre division between the court tales of chapters 1–6 and the apocalyptic visions of 7–12.
The second is a language division between the Hebrew of chapters 1 and 8–12, and the Aramaic of chapters 2–7.
This language division is reinforced by the chiastic arrangement of the Aramaic chapters (see below).
Collins: the language division and concentric structure of chapters 2-6 are artificial literary devices designed to bind the two halves of the book together.
It should also be noted that the time settings of chapters 1–6 show a progression from Babylonian to Median times, which is repeated (Babylonian to Persian) in chapters 7–12.
Susa was not what it later became under the Persians, but it was still a significant city.
Whether one believes Daniel to record historical facts or not, an interpreter should allow the book to set its own terms.
Its influence has resonated through later ages, from the Dead Sea Scrolls community and the authors of the gospels and Revelation, to various movements from the 2nd century to the Protestant Reformation and modern millennialist movements – on which it continues to have a profound influence.Various suggestions have been made by scholars to explain the fact that the genre division does not coincide with the other two.However, the most reasonable proposal is that put forward by John J.He joined your band after being years in Lita Ford band?Well you have had this band together so long but still besides '93 live album, "Fight" was your first album recorded together with this band?